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The Button Down Brass - Firedog!

July 13th, 2012

Button Down Brass - FiredogTHE BUTTON DOWN BRASS

  • Firedog!
  • DJM records
  • 1976
  • UK

The Button Down Brass’ Firedog! is somewhat the UK equivalent to the Cop show themes. The sound is quite similar and there’s four songs that appear in both albums. The Button Down Brass was one of the top notch British easy listening / lounge bands. In their 21 active years they released dozens of albums, participated in production library records and other projects. Too bad most of their recordings are very uninteresting lounge cheese. Luckily there are some exceptions to that. The Button Brown Brass was led by one of the foremost musicians in UK, Ray Davies - not to be confused with The Kinks frontman with the same name. Within his over 50 year career, Davies has worked with pretty much everyone worth to mention; The Beatles, The Rolling Stones, Liza Minelli, Burt Bacharach, Quincy Jones, Henry Mancini and so on. So when The Button Down Brass were recording all the covers they did, Davies was the man to do the arrangements and he also conducted them. Ravies was of course doing some original compositions too.

The 1976 released album Firedog! is one of the best The Button Down Brass ever recorded, along with the other album from the same period, Funk in hell, it’s also the most funky. Although the slight easy listening cheesiness is creeping in time to time. Albums starts with the “Theme from Police story”, the theme from the NBC crime drama Police story, originally composed by Jerry Goldsmith. With some weird moog sounds and funky horns it’s a nice uptempo detective funk track. Next up is Morton Stevens composition “Hawaii 5-0”, It’s quite similar to original first, but then there’s a funky middle part with a percussion break that makes it interesting. While “Hawaii 5-0” is better than the Henry Mancini version, the next one also on both albums, “Theme from Police woman” is not that banging than the one in Cop show themes. But despite the slight lazyness, the melancholic trumpet and the lack of the opening break, it’s still somehow a little funkier than the Mancini take. Next one is the an original composition of Ray Davies called “Firedog!” and it’s among the best tracks of the album. Funky wah-wah, percussions, horns and a tight break in the middle makes it almost a perfect detective funk track. It’s followed by a little light, but still funky “Theme from the Rockford files”, originally by Mike Post and Pete Carpenter. Last track on side a is “Mc Cloud theme”, an uptempo take of the David Shire original from the NBC police drama McCloud with western styled guitars and nice horn stabs. B-side opens with a nice version of Billy Goldenberg’s “Kojak”. It’s followed by the theme by Harry South from the British television police drama The Sweeney, also ok version. Next comes another standout track, “Quiller”, originally written by Richard Denton and Martin Cook taken from the British drama series Quiller. It starts with a nice break and is overall a very good version. The last three tracks are the ones I like the least. First the Glen Larson written theme from the US detective series Switch, then another Ray Davies composition “Theme from Kiss of blood” and finally the “Columbo theme” originally by Billy Goldenberg. Despite the few weak tracks, Firedog! is one of the best kept secrets of the British detective funk cover albums.


Theme from Police story


Hawaii 5-0


Theme from Police Woman


Firedog!


Theme from the Rockford files


Mc Cloud theme


Kojak theme


The Sweeney


Quiller


Switch theme


Theme from Kiss of blood


Columbo theme

Written by Mista Tibbz, at 18.00, filed under cinematic funk, europe, funk, soundtrack | No Comments »

Henry Mancini - Cop Show Themes

July 10th, 2012

Henry Mancini - Cop Show ThemesHENRY MANCINI

  • Cop show themes
  • RCA Victor
  • 1976
  • USA

1994 passed Henry Mancini is one of those composers who don’t need much of an introduction. There’s not that many people who hasn’t heard about him or at least something he has done. The Pink Panther is maybe the best know of his works. Mancini started his career in 1946 at the age of 22 when he joined the newly re-formed Glenn Miller orchestra. There he played piano and did arrangements. In 1952 he moved to work for the Universal Pictures music departments. He stayed there only six years but during that time he contributed music for over 100 movies, for example The Creature from the Black Lagoon, It Came from Outer Space, Tarantula and so on. In 1958 Mancini started to work as an independent composer and arranger composing music for films and television as well as did several other recordings too. While most of his over 90 albums are included in the easy listening, big band or light classical categories, he did of course some funkier albums too.

In 1976 was released Cop show themes and it’s not hard to figure by the name what is included in this album. It’s full of Mancini versions of well known detective series, of course there’s few of his own compositions included too. First up is a composition of Mancini himself, “The mystery movie theme” from the The NBC Mystery Movie series. Next is the Mancini’s version of the chase styled theme “The streets of San Francisco” from the police drama of the same name, originally composed by Patrick Williams. It’s followed by “Bumper’s theme” from the crime series The Blue Knight, also composed by Mancini. Then comes a medley of “Kojak” composed by Billy Goldenberg and “Theme from S.W.A.T.” by Barry De Vorzon. Latter being especially nice version. B-side opens with “Baretta’s theme” from the detective series Baretta, originally written by Dave Grusin. Then “The Rockford files” by Mike Post and Pete Carpenter. Last two tracks are originally composed by Morton Stevens; first legendary theme from “Hawaii five-0” and then the reason why people usually search for this record, “Police woman”. The opening break from “Police woman” was included in Cut Chemist’s “Lesson six” (from Jurassic 5’s EP). It’s of course very nice bboy break as well.

 
Henry Mancini - Cop Show Themes
  
 
 
 
 
 
 
 
 
 
 
In the Japanese version of Cop show themes are included three bonus tracks that I want to mention too. Lalo Schifrin’s “Mission impossible theme” originally from The Big Latin Band Of Henry Mancini (1968), Mancini’s own compostion “Peter Gunn” from 1959 and Quincy Jones’ “The Ironside theme” originally from Mancini’s Big Screen Little Screen (1972)


Mystery Movie Theme


The streets of San Francisco


Bumper’s theme


Medley: Kojak / S.W.A.T.


Baretta’s theme (keep your eye on the sparrow)


The Rockford files


Hawaii five-0


Police woman


Mission impossible theme


Peter Gunn


The Ironside theme

Written by Mista Tibbz, at 18.00, filed under cinematic funk, north america, soundtrack | No Comments »

Godiego - House

April 24th, 2012

Godiego - HouseGODIEGO

  • House
  • Nippon Columbia
  • 1977
  • Japan

A well known Japanese pop rock group Godiego was formed in 1976. The original line up consisted of the band leader and keyboardist Mickey Yoshino, second keyboardist Yukihide Takekawa, guitarist Takashi Asano, bassist Steve Fox and drummer Tommy Snyder (who replaced the original drummers Hiroomi Harada and Ryoji Asano pretty early). They all handled the vocals too. Godiego did several soundtracks for example to the Galaxy Express 999 and Journey to the West II series. Their key to success was however the theme song for Monkey Magic in 1978, that also gained them name in abroad too. In 1977 they released a soundtrack for the pretty unknown movie called House.

Despite the weird “funny-tracks” and some mellow cheesy numbers, this one is still worth to get. There’s is actually quite a miscellaneous mixture of songs in this soundtrack. There’s one very deep blues track called “Hungry house blues”, an instrumental r’n'b/boogie track with some motorcycle effects called “Buggy boogie”, an uptempo jazz-rock fusion track called “Eat”, a haunting uptempo funky fusion track “Oriental melon man” and then there’s the best track of the album called “Eat eat”. It’s a midtempo funk jam. That’s about all I can say about it, listening tells you more than my hundred words. In my opinion House is worth to get if seen cheap enough.


Hungry house blues


Buggy boogie


Oriental melon man


Eat


Eat eat

Written by Mista Tibbz, at 18.00, filed under asia, funk, jazz, soundtrack | No Comments »

You & The Explosion Band - Lupin III

April 22nd, 2012

You & The Explosion Band - Lupin IIIYOU & THE EXPLOSION BAND

  • Lupin III
  • Nippon Columbia
  • 1978
  • Japan

Yuji Ohno (大野 雄二) was born 1941 in Atami, Shizuoka. Soon after his first public appearances he became very well known in his homeland Japan as a great jazz pianist and composer. In the mid 1970s he formed his own jazz band, called You & The Explosion Band (ユ-&エクスプロ-ジョン・バンド) - where You Refers to Ohno himself. Even though he has released a lot of records during his career, he is primarly known for his scores for the anime series Lupin III. Before Ohno started scoring the Shin Rupan Sansei (New Lupin III) series in 1977, there was only some occasional 45s released of the series within its original run in the late 1960s early 1970s. But with Ohno handling things, there suddenly started to appear a relatively great number of soundtrack albums during the years. Of course these were not all for the tv anime series that run from 1977 to 1980 and from 1984 to 1985, but there was a great number of other stuff aswell. Including direct-to-video releases, yearly television specials and full length anime films. And they were really popular. Even the legendary Studio Ghibli did their share with the feature film called Castle of Cagliostro (Rupan Sansei: Kariosutoro no Shiro) in 1979 (as directed by Hayao Miyazaki). Hayao Miazaki and Isao Takahata also directed a great deal of the original 1971-1972 series by the way, but that was a time before Studio Ghibli was even established. But anyways, when the second Lupin III series began running on NTV in 1977, the boom of soundtracks also begun. Totally 48 soundtrack albums were released and most of them were composed by by Yuji Ohno. Takeo Yamashita made his little share on those too, but it was really minimal compared to Ohno. Later on Ohno have even released 15 collections of jazz arrangements of the Lupin III series with his Yuji Ohno Trio, The Lupintic Five and The Lupintic Sixteen.

This soundtrack here, simply named Lupin III, is supposingly the first one of the new series. It was released in 1978. The album starts with “Theme from Lupin III”, the original take of the new series theme. It’s an uptempo disco’ish soundtrack with some jazzy feel and there’s some dialogue in the middle as well. Next two, “Silhouette” and “I miss you babe (yes I do)”, are a little cheesy ballads. The latter one has vocals sung by Sandra Hohn. Next one is “Red roses for the killer”, a midtempo jazzy track. Then there’s “Dangerous zone”, which is an uptempo chase theme with nice breakbeats, some percussion and strong horns but on the other hand, there’s some occasional cheesy synth strings too. Next one, “Sunset flight” is a mellow groover with a hint of latin in it. It’s followed by the well known downtempo groover “Magnum dance” and a little similar “Lonely for the Road”. Last two tracks are the love songs of the album, “Lovin’ you (Lucky)” and “Love theme”. First one sung by Tommy Snyder (of the Godiego fame). Overall this is a pretty decent album and a good start for the great series.


Theme from Lupin III


Red roses for the killer

httpv://www.youtube.com/watch?v=-8qTQ0z2Wg
Dangerous zone


Sunset flight


Magnum dance


Lonely for the Road

Written by Mista Tibbz, at 18.00, filed under asia, disco, jazzfunk, soundtrack | No Comments »

Takayuki Inoue Band - Sunrise: “Suite” Taiyō Ni Hoero! ‘76

April 20th, 2012

Takayuki Inoue Band - SunriseTAKAYUKI INOUE BAND

  • Sunrise: “Suite” Taiyō Ni Hoero! ‘76
  • Polydor K.K.
  • 1976
  • Japan

Another well known detective drama soundtrack composer is 1941 born Takayuki Inoue (井上堯之). He started his career in rock bands The Spiders and PYG before forming his own combo, the Takayuki Inoue Band (井上 堯之バンド), a band that would propably follow him for the rest of his life. Among some various soundtracks and regular albums, Takayuki Inoue Band got a job in 1972 of the theme song for the new Toho produced detective drama series called Taiyō ni Hoero! (literally Bark at the Sun). The series immediately become really popular. It ran 15 years from 1972 to 1986 and it’s one of the longest running detective series in Japan within its 718 episodes. It even spawned a sequel simply called Taiyō ni Hoero! Part 2 that ran from 1986 to 1987. But that’s enough for the series, let’s get back to the music. As said Takayuki Inoue got the job for the title theme and that along the series became extremely popular. As was the case with most of the other detective series, there was quite a big amount of different soundtrack albums released. And almost all of them were by Takayuki Inoue Band. Some of those were specially themed releases from different years and some were so called BGM Best -albums, that contained tracks from several episodes. One of these themed albums was called Sunrise. It was released in 1977 and it’s one of the best of the series.

There’s a lot of funky tracks on this album. Of course they are funky in a Japanese detective series way, so they do have that certain feel, but that’s only a positive thing. The a-side of the album is basically one suite, but still separated to different tracks. It’s better this way, since it’s always a pain in the ass trying to find the start of that one good song in the middle of a 24 minute track. And here the fourth part of “組曲 「太陽にほえろ!」” (Suite ‘Taiyō ni hoero!’ ) called “逃走と追跡” (Tōsō to tsuiseki) is the killer. It’s a three and half minute drum break with some horn stabs time to time. And it’s the getaway track of the album. There’s of course some other goodies her too among the basic dramatic mellow stuff. “スコッチ刑事のテーマ” (Sukotchi keiji no tēma) is a distant variation of the Taiyō ni hoero! main theme with all the basic elements. The third good one is “華麗なる情熱” (Kareinaru jōnetsu). Both are midtempo detective theme type of tracks and the latter being the better one. As a whole this is indeed one of the best albums of the series, but of course some of the other ones have good moments too. We’ll have to get back to them on some point later…


Tōsō to tsuiseki


Sukotchi keiji no tēma


Kareinaru jōnetsu

Written by Mista Tibbz, at 18.00, filed under asia, cinematic funk, soundtrack | No Comments »

Tatsuya Takahashi & Tokyo Union - Daitokai Part III

April 18th, 2012

Tatsuya Takahashi & Tokyo Union - Daitokai Part IIITATSUYA TAKAHASHI & TOKYO UNION

  • Daitokai Part III
  • Polydor K.K.
  • 1978
  • Japan

The other detective series Tatsuya Takahashi & Tokyo Union made music for, was Daitokai (literally Big City), that run three seasons from 1976 to 1979. Although TT&TU were’nt the only ones who did soundtracks for the series, they were responsible for Part III (season III) music. The first and the second season were mainly handled by the bands called Game and Microcosmos II, but that’s another story and we’ll come to them later.

Let’s talk about this one first. The opening track “大都会 Part III テーマ” (Daitokai part III tēma) starts the album quite frantically with it’s uptempo jazzy disco beats and hectic feeling. Maybe not the best theme around but acceptable. Second track “Dream of dream” is also an uptempo groover with also quite jazzy but discoish beats and some percussion works overdubbed with a slightly cheesy saxophones and occasional guitarwork. Next up is the very mellow but still groovy “And so in love” that would easily fit into the Love Boat soundtrack. After that comes another uptempo track “One floor house”. The first track on side b is “The Indian medicinman & g’uru”, despite the slow mellow start, it’s turns into a nice midtempo jazz track. Next one is “Midnight Tokyo special”, again very nice uptempo jazzy groover with its occasional disco moments. The last one on the album is a mellow love song called “Moon flower”. All the tracks are instrumentals. Although it’s nothing like the blaxploitation ones from the US, it’s still a pretty good one. It’s more like a typical Japanese detective soundtrack from that late 1970s - early 1980s era.

httpv://www.youtube.com/watch?v=MzAkh-AyVI
Daitokai part III tēma


Dream of dream


And so in love


One floor house


The Indian medicinman & g’uru


Midnight Tokyo special


Moon flower

Written by Mista Tibbz, at 18.00, filed under asia, disco, easy listening, jazz, soundtrack | No Comments »

Tatsuya Takahashi & Tokyo Union - Seibu Keisatsu Part II

April 16th, 2012

Tatsuya Takahashi & Tokyo Union - Seibu KeisatsuTATSUYA TAKAHASHI & TOKYO UNION

  • Seibu Keisatsu Part II
  • Teichiku
  • 1982
  • Japan

1931 born Tatsuya Takahashi (real name Tatsuro Takahashi) is one of the most well known band leaders in Japan, and a very talented tenor saxophonist as well. Takahashi started his career in 1961 and after years of hard work, he moved to Tokyo and became the fourth bandleader of the Tokyo based big band called Tokyo Union in 1966. That was the point when the band was really starting to gain reputation and become a big name in the scene. In that point their name was also settled as Tatsuya Takahashi & Tokyo Union. Basically they were a strict jazz band, but they did some pretty good soundtrack scores too. Seems that along anime, the Japanese people had also a very strong thing to detective series throughout the 1970s and 1980s. (kinda same way as the Germans in the 1980s). So it was kind of natural, that Tatsuya Takahashi & Tokyo Union did their share of the soundtrack albums to several different detective series. Among these was a soundtrack to the series called Seibu Keisatsu Part II (literally Western Police). Actually they did more than one of these albums, but we’ll talk about this one particular now. Seibu Keisatsu was a detective drama series that was running from 1979 until 1984, with total of three seasons. Part II and Part III (seasons two and three) soundtracks were mainly played by Tatsuya Takahashi & Tokyo Union, while the Part I (season one) was by The Hornets. As expected, the soundtrack music varies from dramatic themes and mellow moods to some funky jazz and hectic chase funk.

The opening track “ワンダフル・ガイズ ~ TVサイズ” (Wandafuru gaizu ~ TV saizu) starts the album with the known quality of the Tokyo Union, it’s a typical uptempo detective theme with some disco feel in it. “ワンダフル・ガイズ ~ フルサイズ” (Wandafuru gaizu ~ furusaizu) is a full version of the same track, while the first was a shortened one fitted for television. Next one, “気分は最高” (Kibun wa saikō), instead is a very mellow and kinda sad track. Then comes “デンジャラス・チェイス” (Denjarasu cheisu). The name means dangerous chase, but it’s still a very nice midtempo jazz track in a Tokyo Union way, not a hectic chase theme. “ハッピー・ボーイ” (Happī bōi) is just what the name happy boy stands for. An happy but short track with a certain circus feel. Then comes two sad mellow tracks, “トワイライト・ストーリー” (Towairaito sutōrī) and “ロンリー・ポリスマン” (Ronrī porisuman). Well with the names like twilight story and lonely policeman, what else they can be. The last track on side a called “ジャングル・ヒーロー” (Janguru hīrō) is a killer uptempo chase theme with some percussion works, nice melodies and occasional guitarwork. The first track on side b is “パトカー・コンボイ” (Patokā konboi), again a quite nice uptempo detective theme but the cheesy disco feel gives it a little minus. After a mellow “ダーティー・ヒーロー” (Dātī hīrō) comes “スーパー・チェイサー” (Sūpā cheisā), the best track on the album. It’s a very blaxploitation-like uptempo chase funk track but with again some cheesyness. With a name like super chaser, what else you actually expect but a chase track. Too bad it’s a quite short one. Again there’s a one mellow drama song “哀愁のエアポート” (Aishū no eapōto) before we get to another uptempo track. “サラブレッド” (Sarabureddo) has some slightly annoying guitarwork, but despite that it’s a very nice one. And the same order continues to the end. First mellow and dramatic “友情” (Yūjō), then uptempo discoish “軍団マーチ” (Gundan māchi) and last one “サンセット・ハーバー” (Sansetto hābā) is again a downtempo drama track. Overall Tatsuaya Takahashi & Tokyo Union did their job quite well as this is a very decent soundtrack among the countless others that came from Japan during the 1970s and 1980s.


Wandafuru Gaizu ~ Furusaizu


Denjarasu cheisu


Janguru hīrō


Patokā konboi


Sūpā cheisā


Sarabureddo

Written by Mista Tibbz, at 18.00, filed under disco, funk, jazz, soundtrack | No Comments »

Ahmad Nawab - Hapuslah airmata mu

October 30th, 2011

Ahmad Nawab - Hapuslah Airmata MuAHMAD NAWAB

  • Hapuslah airmata mu
  • Sabah Film
  • 1976
  • Malaysia

Hapuslah airmata mu is a 1976 Malaysian musical movie starring singer Sharifah Aini. It’s about a countryside girl moving to Kuala Lumpur to start a professional singing career. Because it’s a happy movie, she of course succeeds with her aim and becomes a star, but at the same time forgetting her family and old friends. I’m not personally a big fan of musical movies, but there’s some really funky parts on this one. As proves the soundtrack too. The soundtrack was composed by Ahmad Nawab (officially Dato’ Dr. Ahmad Khan Nawab Khan), a very well know Malaysian composer and saxophonist. Well at least he’s very famous in his homeland. 1933 born Nawab has done over 2000 compositions and produced over 200 albums during his long career and he’s still active today. The vocal performances here are made by Broery Marantika, Deddy M. Borhan, Junainah Amin and the star of the film Sharifah Aini.


Sharifah Aini’s “Yang di tunggu tak tiba” performance from the film

Musically the soundtrack is a mixture of instrumental funk, funky Malaysian pop, folk pop and ballads. And there’s few standout tracks worth to mention. Funky uptempo pop numbers “Yang di tunggu tak tiba” with vocals by Sharifah Aini and “Seiring jalan” with vocals by Broery Marantika along Sharifah Aini. Another uptempo funky track is “Kau di sayang” with really catchy vocals by Junainah Amin. It’s got a really funky beat and even has a break in the beginning. In my opinion the best track is the midtempo instrumental “Regent club” with a lots of wah wah, funky beats and Nawab’s saxophone works. This album was a really positive surprise for me as I didn’t know what to expect when I bought this. I definitely got to get more of Nawab’s albums to my shelf.


Seiring jalan


Kau di sayang


Regent club

Written by Mista Tibbz, at 18.00, filed under 1317, asia, funk, soundtrack, world | No Comments »

Osamu Shoji - Star wars

October 27th, 2011

Osamu Shoji - Star WarsOSAMU SHOJI

  • Star wars
  • Warner-Pioneer corporation
  • 1978
  • Japan

Japanese composer, arranger, keyboard player and synthesizer wizard Osamu Shoji (東海林修) has been active player in music business since the early 1960s. He has worked with many well known Japanese artists during his career. Akira Ishikawa, Kenji Sawada, Shigeru Suzuki, Haruomi Hosono and Goro Noguchi to name a few. Shoji has also done a bunch of anime soundtracks, Space Cobra as the most well known. In 1978 he did his first whole synthesizer album called Star wars. It didn’t however include only material from the Star wars soundtrack, there’s also one Shoji’s original compostion icluded on the b-side. Shoji used only polyphonic analog synthesizers in this album, including Korg PS-3300 with PS-3010, Korg MaxiKorg 800DV and Korg Polyphonic Ensemble Orchestra. Korg PS-3300 seems to be one of the rarest analog synths in the world as there’s only 50 pieces manufactured between 1977 and 1981.

A-side naturally starts with the theme song. “Star wars main theme & Imperial attack” is a disco version of the theme song with really amusing, occasionally a little freaked out synth sounds and quite basic disco beat. Next up is “The throne room” that also follows the main theme at first, but then turns to a disco boogie track. It even has a break in the middle. “Cantina band” sound pretty much like the original at first but the Shoji gets on fire with his synths again and the song changes into an analog sound mayhem. Last tracks on side-a, “Princess Leia’s theme” and “The robot auction” and downtempo orchestral pieces filled again with synths. The only original composition, “The space od’yssey” on side b, is a monster 20 minute track combining drama and synthpop. it divides into four different parts and all of them sound like they could’ve been made in the early 1980s Italy or France. The last track “The desert”, is again from the first Star wars soundtrack.


Star wars main theme & Imperial attack


The throne room


Cantina band


The space o’dyssey

Written by Mista Tibbz, at 18.00, filed under disco, soundtrack | No Comments »

The spirit of Atlanta - The burning of Atlanta

October 24th, 2011

spirit of atlanta - burning of atlantaTHE SPIRIT OF ATLANTA

  • The burning of Atlanta
  • Buddah records
  • 1973
  • USA

Let’s start with a little history lesson to get the picture what’s with the name and meaning of this album. During the US civil war Atlanta was a very important hub of war supplies for the Confederacy. Therefore it was a main target for the the Union army. In 1864 general William Sherman took over the city after a four month siege and ordered all civilian population to be evacuated. After that he burned the city to ashes saving only churches and hospitals. Atlanta however rose from these ashes and the Phoenix bird has been the official symbol of the city since 1888.

In 1973 actor Ed Waller dropped by Lance-Arnold Recording Studios (owned by Herb Lance and Calvin Arnold) to see producer Tommy Stewart (of “Bump and hustle music” fame) who was at the moment producing several r’n'b and funk artists. With Waller was a gentlemen by the name of Bill Stokes. He was carrying a hand-sketched script of a proposed movie and he needed Stewart to write the musical score for his upcoming “The Burning of Atlanta Movie”. The movie would’ve been about the Atlanta underworld during the rise of the city after the 1864 burning. Stewart started to write the score right away and in May of 1973 and they premiered the musical score at the new Atlanta International Hotel with G.C. Coleman’s band - the band was renamed The Spirit of Atlanta before the premiere. G.C. Coleman is by the way the drummer behind the most sampled drum break in the history of music - the Amen break.

So there it was, a fresh panoramic scope of a classic blaxploitation soundtrack full of great tracks. But for a reason or another, the movie were never released. The supposed-to-be soundtrack was however released on Buddah records by the name The burning of Atlanta. As said, the music is very strong blaxploitation material that reminds me very much of the great Superfly soundtrack by Curtis Mayfield. There’s even an answer song to that soundtrack - intentional or unintentional, that I don’t know - called “Freddie’s alive and well”. You all remember “Freddie’s dead”, right? “Freddie’s alive and well” is an uptempo blaxploitation funk track with lots of wah wah, catchy vocals and a long drum break with some percussions. One of my all time favorite songs I should say. Another uptempo track, “Messin’ around”, is quite similar but instrumental funky groover. Then there’s “Hunter street”, another uptempo blaxploitation track with a strong chase feeling. Maybe it was intended to be placed on the movie’s chase sequence. Tommy Stwewart used to work part-time at Johnson’s Music Store on Hunter Street and that’s where he supposingly got the name for the track. Hunter Street was later named Martin Luther King Jr. Drive.

Clarence Carter was also involved with the album. He sung the vocals in “Buttermilk bottom”, a very funky soul tune with a strong classic blaxploitation feel in it. Buttermilk bottom was a crime ridden neighborhood considered by the city leaders as a slum. They decided that the entire neighborhood needed to go and it was torn down to make way for the Atlanta Civic Center, opened in 1968. Another mellow funky soul track is “Peachtree street”, and that street is the main street of the city of Atlanta. “Auburn avenue” instead is a midtempo funky soul track - again with a very strong blaxploitation feel. Auburn avenue in Atlanta include Sweet Auburn, a historic African-American neighborhood. Last two tracks on the album are “Vine city”, an instrumental downtempo funk groover and “Down underground”, a midtempo instrumental with catchy horns. I reckon this album among the best funk albums ever made, that’s how great it really is.


Buttermilk bottom


Auburn avenue


Down underground


Hunter street


Messin’ around


Freddie’s alive and well

Written by Mista Tibbz, at 18.00, filed under blaxploitation, funk, north america, soul | No Comments »
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