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Takayuki Inoue Band - Sunrise: “Suite” Taiyō Ni Hoero! ‘76

April 20th, 2012

Takayuki Inoue Band - SunriseTAKAYUKI INOUE BAND

  • Sunrise: “Suite” Taiyō Ni Hoero! ‘76
  • Polydor K.K.
  • 1976
  • Japan

Another well known detective drama soundtrack composer is 1941 born Takayuki Inoue (井上堯之). He started his career in rock bands The Spiders and PYG before forming his own combo, the Takayuki Inoue Band (井上 堯之バンド), a band that would propably follow him for the rest of his life. Among some various soundtracks and regular albums, Takayuki Inoue Band got a job in 1972 of the theme song for the new Toho produced detective drama series called Taiyō ni Hoero! (literally Bark at the Sun). The series immediately become really popular. It ran 15 years from 1972 to 1986 and it’s one of the longest running detective series in Japan within its 718 episodes. It even spawned a sequel simply called Taiyō ni Hoero! Part 2 that ran from 1986 to 1987. But that’s enough for the series, let’s get back to the music. As said Takayuki Inoue got the job for the title theme and that along the series became extremely popular. As was the case with most of the other detective series, there was quite a big amount of different soundtrack albums released. And almost all of them were by Takayuki Inoue Band. Some of those were specially themed releases from different years and some were so called BGM Best -albums, that contained tracks from several episodes. One of these themed albums was called Sunrise. It was released in 1977 and it’s one of the best of the series.

There’s a lot of funky tracks on this album. Of course they are funky in a Japanese detective series way, so they do have that certain feel, but that’s only a positive thing. The a-side of the album is basically one suite, but still separated to different tracks. It’s better this way, since it’s always a pain in the ass trying to find the start of that one good song in the middle of a 24 minute track. And here the fourth part of “組曲 「太陽にほえろ!」” (Suite ‘Taiyō ni hoero!’ ) called “逃走と追跡” (Tōsō to tsuiseki) is the killer. It’s a three and half minute drum break with some horn stabs time to time. And it’s the getaway track of the album. There’s of course some other goodies her too among the basic dramatic mellow stuff. “スコッチ刑事のテーマ” (Sukotchi keiji no tēma) is a distant variation of the Taiyō ni hoero! main theme with all the basic elements. The third good one is “華麗なる情熱” (Kareinaru jōnetsu). Both are midtempo detective theme type of tracks and the latter being the better one. As a whole this is indeed one of the best albums of the series, but of course some of the other ones have good moments too. We’ll have to get back to them on some point later…


Tōsō to tsuiseki


Sukotchi keiji no tēma


Kareinaru jōnetsu

Written by Mista Tibbz, at 18.00, filed under Uncategorized | No Comments »

The Rob Franken Organization - Ob-la-di ob-la-da

November 11th, 2011

Rob Franken Organization - Ob-la-di Ob-la-daTHE ROB FRANKEN ORGANIZATION

  • Ob-la-di ob-la-da
  • RCA Camden
  • 1969
  • Netherlands

1941 born Rob Franken was one of the key figures of all European organ players in the 1960s and 1970s. He was the first European to master the Fender Rhodes electric piano and among the first to handle the Hammond B3 organ. Although he was mostly obsessed with the Fender Rhodes throughout the late 1960s, the Hammond was the instrument he was best remembered for. Rob Franken started his career with the folk duo Esther & Abi Ofarim, then he moved to play with Klaus Weiss Trio in the mid 1960s. Soon after he formed his legendary own small combo, The Rob Franken Organization. The Organization released two albums - ‘Pon my soul in 1967 and Ob-la-di ob-la-da in 1969. He also played as a pianist of Toots Thielemans and a permanent organist / keyboard played for Peter Herbolzheimer Rhythm Combination and Brass. During his relatively short career, Franken played in over 400 records and was a very much liked person among session musicians. His sudden and unexpected death due to an internal hemorrhage at the age of 42 in 1983 ended his glorious career - only three days after his last recording session with the Rhythm Combination and Brass.

This second album by The Rob Franken Organization was fully an instrumental album. And it consisted of both covers and of original material. It’s mostly Hammond driven uptempo breakbeat funk in a strong Mohawks manner. During this second album the line-up was the following: Rob Franken on organ, Piet Hein Veening on bass, Joop Scholten on guitar and Louis Deby on drums. Let’s start with the title track “Ob-la-di ob-la-da”. It’s a very funky uptempo version of this well known Beatles track, although that song always reminds me of that tv-series called Life goes on. Other uptempo funkers include titles like “Black jack”, “Bottle blue”, “Catch fire”, “Hunky dory”, “Lucky strike” and “Scintilla. The only midtempo track is the rough funk cut “Hop toad”. Few downtempo soul instrumentals are also included. Overall this is one of the tightest albums ever released in the Continental Europe.


Ob-la-di ob-la-da


Scintilla


Catch fire


Bottle blue


Black Jack


Hop toad

Written by Mista Tibbz, at 18.00, filed under Uncategorized, asia, europe, funk, soul | No Comments »
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