Tags

Posts Tagged ‘1976’

Grupo Irakere - Chekere

July 31st, 2012

Grupo Irakere - ChekereGRUPO IRAKERE

  • Chekere
  • Cuba
  • 1976
  • Finland

1973 formed Irakere is no doubt one of the best known groups that ever came from Cuba and they’re one of the most influental bands too. They created their own style with mixing together almost everything rhythmic they heard; jazz, funk, rock and traditional Cuban rhythms. They were busy with album recordings and even more busy with travelling around the world. They also used to record albums wherever they were performing and that was the case in Finland too. Irakere visited Finland in 1976 to play at the Turku Jazz festival and at the same time they visited the Finnvox Studio in Helsinki to cut an album that was then released on Finnish Love Records‘ Cuban music oriented sublabel Cuba. Otto Donner produced the album by the way. The time they visited Finland they weren’t yet known in the United States and they were playing with their original tight line up with Oscar and Chucho Valdés, Arturo Sandoval, Paquito D’Rivera, Jorge Alfonso and Enrique Plá among others.

Album starts with one of the best version I have heard of their standard “Chekere son”, a great funky son track with tight start and a nice break. Then comes two mellow tracks “38½” and “En nosotros”. They’re followed by another funky uptempo one, the magnificent studio version of “Juana 1600″. Side b opens with similar sounding uptempo Cuban funk track “Moja el pan”. It’s followed by Chucho Valdes‘ piano track “Este camino largo”. Then comes “Xiomara” that starts with a heavy beat and continue as a groovy midtempo vocal number. Last track is the horn driven Cuban funk track “Illa” with some serious fuzz guitar, heavy percussion work and a sort of a break.


Chekere son


38½


En nosotros


Juana 1600


Moja el pan


Este camino largo


Xiomara


Illa

Written by Mista Tibbz, at 18.00, filed under afro-cuban, caribbean, europe | No Comments »

The Button Down Brass - Firedog!

July 13th, 2012

Button Down Brass - FiredogTHE BUTTON DOWN BRASS

  • Firedog!
  • DJM records
  • 1976
  • UK

The Button Down Brass’ Firedog! is somewhat the UK equivalent to the Cop show themes. The sound is quite similar and there’s four songs that appear in both albums. The Button Down Brass was one of the top notch British easy listening / lounge bands. In their 21 active years they released dozens of albums, participated in production library records and other projects. Too bad most of their recordings are very uninteresting lounge cheese. Luckily there are some exceptions to that. The Button Brown Brass was led by one of the foremost musicians in UK, Ray Davies - not to be confused with The Kinks frontman with the same name. Within his over 50 year career, Davies has worked with pretty much everyone worth to mention; The Beatles, The Rolling Stones, Liza Minelli, Burt Bacharach, Quincy Jones, Henry Mancini and so on. So when The Button Down Brass were recording all the covers they did, Davies was the man to do the arrangements and he also conducted them. Ravies was of course doing some original compositions too.

The 1976 released album Firedog! is one of the best The Button Down Brass ever recorded, along with the other album from the same period, Funk in hell, it’s also the most funky. Although the slight easy listening cheesiness is creeping in time to time. Albums starts with the “Theme from Police story”, the theme from the NBC crime drama Police story, originally composed by Jerry Goldsmith. With some weird moog sounds and funky horns it’s a nice uptempo detective funk track. Next up is Morton Stevens composition “Hawaii 5-0”, It’s quite similar to original first, but then there’s a funky middle part with a percussion break that makes it interesting. While “Hawaii 5-0” is better than the Henry Mancini version, the next one also on both albums, “Theme from Police woman” is not that banging than the one in Cop show themes. But despite the slight lazyness, the melancholic trumpet and the lack of the opening break, it’s still somehow a little funkier than the Mancini take. Next one is the an original composition of Ray Davies called “Firedog!” and it’s among the best tracks of the album. Funky wah-wah, percussions, horns and a tight break in the middle makes it almost a perfect detective funk track. It’s followed by a little light, but still funky “Theme from the Rockford files”, originally by Mike Post and Pete Carpenter. Last track on side a is “Mc Cloud theme”, an uptempo take of the David Shire original from the NBC police drama McCloud with western styled guitars and nice horn stabs. B-side opens with a nice version of Billy Goldenberg’s “Kojak”. It’s followed by the theme by Harry South from the British television police drama The Sweeney, also ok version. Next comes another standout track, “Quiller”, originally written by Richard Denton and Martin Cook taken from the British drama series Quiller. It starts with a nice break and is overall a very good version. The last three tracks are the ones I like the least. First the Glen Larson written theme from the US detective series Switch, then another Ray Davies composition “Theme from Kiss of blood” and finally the “Columbo theme” originally by Billy Goldenberg. Despite the few weak tracks, Firedog! is one of the best kept secrets of the British detective funk cover albums.


Theme from Police story


Hawaii 5-0


Theme from Police Woman


Firedog!


Theme from the Rockford files


Mc Cloud theme


Kojak theme


The Sweeney


Quiller


Switch theme


Theme from Kiss of blood


Columbo theme

Written by Mista Tibbz, at 18.00, filed under cinematic funk, europe, funk, soundtrack | No Comments »

Henry Mancini - Cop Show Themes

July 10th, 2012

Henry Mancini - Cop Show ThemesHENRY MANCINI

  • Cop show themes
  • RCA Victor
  • 1976
  • USA

1994 passed Henry Mancini is one of those composers who don’t need much of an introduction. There’s not that many people who hasn’t heard about him or at least something he has done. The Pink Panther is maybe the best know of his works. Mancini started his career in 1946 at the age of 22 when he joined the newly re-formed Glenn Miller orchestra. There he played piano and did arrangements. In 1952 he moved to work for the Universal Pictures music departments. He stayed there only six years but during that time he contributed music for over 100 movies, for example The Creature from the Black Lagoon, It Came from Outer Space, Tarantula and so on. In 1958 Mancini started to work as an independent composer and arranger composing music for films and television as well as did several other recordings too. While most of his over 90 albums are included in the easy listening, big band or light classical categories, he did of course some funkier albums too.

In 1976 was released Cop show themes and it’s not hard to figure by the name what is included in this album. It’s full of Mancini versions of well known detective series, of course there’s few of his own compositions included too. First up is a composition of Mancini himself, “The mystery movie theme” from the The NBC Mystery Movie series. Next is the Mancini’s version of the chase styled theme “The streets of San Francisco” from the police drama of the same name, originally composed by Patrick Williams. It’s followed by “Bumper’s theme” from the crime series The Blue Knight, also composed by Mancini. Then comes a medley of “Kojak” composed by Billy Goldenberg and “Theme from S.W.A.T.” by Barry De Vorzon. Latter being especially nice version. B-side opens with “Baretta’s theme” from the detective series Baretta, originally written by Dave Grusin. Then “The Rockford files” by Mike Post and Pete Carpenter. Last two tracks are originally composed by Morton Stevens; first legendary theme from “Hawaii five-0” and then the reason why people usually search for this record, “Police woman”. The opening break from “Police woman” was included in Cut Chemist’s “Lesson six” (from Jurassic 5’s EP). It’s of course very nice bboy break as well.

 
Henry Mancini - Cop Show Themes
  
 
 
 
 
 
 
 
 
 
 
In the Japanese version of Cop show themes are included three bonus tracks that I want to mention too. Lalo Schifrin’s “Mission impossible theme” originally from The Big Latin Band Of Henry Mancini (1968), Mancini’s own compostion “Peter Gunn” from 1959 and Quincy Jones’ “The Ironside theme” originally from Mancini’s Big Screen Little Screen (1972)


Mystery Movie Theme


The streets of San Francisco


Bumper’s theme


Medley: Kojak / S.W.A.T.


Baretta’s theme (keep your eye on the sparrow)


The Rockford files


Hawaii five-0


Police woman


Mission impossible theme


Peter Gunn


The Ironside theme

Written by Mista Tibbz, at 18.00, filed under cinematic funk, north america, soundtrack | No Comments »

Takayuki Inoue Band - Sunrise: “Suite” Taiyō Ni Hoero! ‘76

April 20th, 2012

Takayuki Inoue Band - SunriseTAKAYUKI INOUE BAND

  • Sunrise: “Suite” Taiyō Ni Hoero! ‘76
  • Polydor K.K.
  • 1976
  • Japan

Another well known detective drama soundtrack composer is 1941 born Takayuki Inoue (井上堯之). He started his career in rock bands The Spiders and PYG before forming his own combo, the Takayuki Inoue Band (井上 堯之バンド), a band that would propably follow him for the rest of his life. Among some various soundtracks and regular albums, Takayuki Inoue Band got a job in 1972 of the theme song for the new Toho produced detective drama series called Taiyō ni Hoero! (literally Bark at the Sun). The series immediately become really popular. It ran 15 years from 1972 to 1986 and it’s one of the longest running detective series in Japan within its 718 episodes. It even spawned a sequel simply called Taiyō ni Hoero! Part 2 that ran from 1986 to 1987. But that’s enough for the series, let’s get back to the music. As said Takayuki Inoue got the job for the title theme and that along the series became extremely popular. As was the case with most of the other detective series, there was quite a big amount of different soundtrack albums released. And almost all of them were by Takayuki Inoue Band. Some of those were specially themed releases from different years and some were so called BGM Best -albums, that contained tracks from several episodes. One of these themed albums was called Sunrise. It was released in 1977 and it’s one of the best of the series.

There’s a lot of funky tracks on this album. Of course they are funky in a Japanese detective series way, so they do have that certain feel, but that’s only a positive thing. The a-side of the album is basically one suite, but still separated to different tracks. It’s better this way, since it’s always a pain in the ass trying to find the start of that one good song in the middle of a 24 minute track. And here the fourth part of “組曲 「太陽にほえろ!」” (Suite ‘Taiyō ni hoero!’ ) called “逃走と追跡” (Tōsō to tsuiseki) is the killer. It’s a three and half minute drum break with some horn stabs time to time. And it’s the getaway track of the album. There’s of course some other goodies her too among the basic dramatic mellow stuff. “スコッチ刑事のテーマ” (Sukotchi keiji no tēma) is a distant variation of the Taiyō ni hoero! main theme with all the basic elements. The third good one is “華麗なる情熱” (Kareinaru jōnetsu). Both are midtempo detective theme type of tracks and the latter being the better one. As a whole this is indeed one of the best albums of the series, but of course some of the other ones have good moments too. We’ll have to get back to them on some point later…


Tōsō to tsuiseki


Sukotchi keiji no tēma


Kareinaru jōnetsu

Written by Mista Tibbz, at 18.00, filed under asia, cinematic funk, soundtrack | No Comments »

Please - Manila thriller

November 20th, 2011

Please - Manila ThrillerPLEASE

  • Manila thriller
  • Telefunken
  • 1976
  • West Germany

Please was a band that consisted of bunch of Filipinos located in West Germany during the 1970s. The fellows Roy David (trumpet), Carlos David Jr. (guitar), Lito Cruz (trumpet and percussion), Manuel Santa Maria (trombone and percussion), Mariano Santa Maria (drums) and Roberto Vilegges (bass) formed this band that released two albums and several 45’s on German Telefunken label before vanishing into obscurity. The story does not tell how and why they were in Germany, but at least they did pretty good job when it comes to funky music.

Manila thriller was the second album of Please and it was released in 1976. I’m pretty sure the title refers to the legendary “Thrilla in Manila”, the heavyweight boxing championship fight between Muhammad Ali and Joe Frazier that took place at the Araneta Coliseum in Quezon City, Manila on October 1, 1975. The cover of the album also supports that, otherwise it would’ve been quite weird and disturbing. Although the main focus of the album seems to be on sweet soulful music, there’s some discoid funk business too. There’s midtempo funky soul such as “I’m gonna take care of business” and “Good stuff”, uptempo disco’ish soul like “Flaming lady” and then there’s also uptempo disco funk tracks like “Please yourself” and “Ego trippin’”, the latter having a nice break in the beginning and in the end.


Good stuff


I’m gonna take care of business


Please yourself


Flaming lady


Ego trippin’

Written by Mista Tibbz, at 18.00, filed under disco, europe, funk, soul | No Comments »

Ahmad Nawab - Hapuslah airmata mu

October 30th, 2011

Ahmad Nawab - Hapuslah Airmata MuAHMAD NAWAB

  • Hapuslah airmata mu
  • Sabah Film
  • 1976
  • Malaysia

Hapuslah airmata mu is a 1976 Malaysian musical movie starring singer Sharifah Aini. It’s about a countryside girl moving to Kuala Lumpur to start a professional singing career. Because it’s a happy movie, she of course succeeds with her aim and becomes a star, but at the same time forgetting her family and old friends. I’m not personally a big fan of musical movies, but there’s some really funky parts on this one. As proves the soundtrack too. The soundtrack was composed by Ahmad Nawab (officially Dato’ Dr. Ahmad Khan Nawab Khan), a very well know Malaysian composer and saxophonist. Well at least he’s very famous in his homeland. 1933 born Nawab has done over 2000 compositions and produced over 200 albums during his long career and he’s still active today. The vocal performances here are made by Broery Marantika, Deddy M. Borhan, Junainah Amin and the star of the film Sharifah Aini.


Sharifah Aini’s “Yang di tunggu tak tiba” performance from the film

Musically the soundtrack is a mixture of instrumental funk, funky Malaysian pop, folk pop and ballads. And there’s few standout tracks worth to mention. Funky uptempo pop numbers “Yang di tunggu tak tiba” with vocals by Sharifah Aini and “Seiring jalan” with vocals by Broery Marantika along Sharifah Aini. Another uptempo funky track is “Kau di sayang” with really catchy vocals by Junainah Amin. It’s got a really funky beat and even has a break in the beginning. In my opinion the best track is the midtempo instrumental “Regent club” with a lots of wah wah, funky beats and Nawab’s saxophone works. This album was a really positive surprise for me as I didn’t know what to expect when I bought this. I definitely got to get more of Nawab’s albums to my shelf.


Seiring jalan


Kau di sayang


Regent club

Written by Mista Tibbz, at 18.00, filed under 1317, asia, funk, soundtrack, world | No Comments »

Houseband - De Houseband

March 13th, 2011

Houseband De HousebandHOUSEBAND

  • De Houseband
  • VPRO
  • 1976
  • Holland

Houseband started their career literally as a houseband. They started out in 1973 as the in-house orchestra at Amsterdam’s legendary club Paradiso, and they were one of the first funk outfits from the whole country. The very same year the first appearance of multi-instrumentalist Peter Smid, and guitarists Frank Sutherland and Harry Hart occurred for the VPRO show Monday night, the radio show by Wim Noordhoek. Noordhoek invited the guys to play there more frequently. Together with some other members that were involved also in the Paradiso sessions, they started out as the house band for the VPRO. The VPRO (originally an acronym for Vrijzinnig Protestantse Radio Omroep, meaning Liberal Protestant Radio Broadcasting Company) is a Dutch broadcasting organization that started out in 1926 and is still active today.

In 1976 VPRO launched the Zeldzaam & zonderling -series (meaning Strange and rare) and the first volume was studio recordings by the Houseband called simply De houseband. The following volumes were mostly spoken word, comedy and other vocal material. Overall it’s very uninteresting series except this first release. The records were given out as a promo and as far as I know, they were never for sale anywhere. As a radio show studio orchestra, the Houseband played really wide variety of music, although their touch was very soul and funk oriented. The debut album contains all kinds of stuff from pop to blues and beyond. What makes this one interesting, is the cover versions of the JB’s hit “(Givin’ up) food for funk”, the Meters medley “looka-pye-pye / Cissy strut” with a nice break and one original composition, “Baby funk” as written by Frank Sutherland. Obscure record with some good funk for all funky music enthusiasts. Houseband released three more albums in the 1970s and all these are worth mentioning later. All the volumes of Zeldzaam &n zonderling -series have the same cover and only the small sticker on the bottom left corner indicates what’s inside, so don’t be mislead by the cover.


Baby funk


(Givin’ up) food for funk


Looka-pye-pye / Cissy strut

Written by Mista Tibbz, at 18.00, filed under europe, funk | No Comments »

Nathan Davis - Suite for dr. Martin Luther King jr.

February 23rd, 2011

Nathan Davis - Suite for dr Martin Luther King JrNATHAN DAVIS

  • Suite for dr. Martin Luther King jr.
  • Tomorrow international
  • 1976
  • USA

Kansas City born multi-instrumentalist (tenor saxophone, soprano saxophone, bass clarinet and flute) Nathan Davis did this album in honor of dr. Martin Luther King and his achievements. Although the music is mostly free improvisation and traditional jazz, it contains also small elements of soul, funk, gospel and blues with some spoken word added between the tracks. This album may not be as funky as his If album from the same year, but it still has two really magnificent tracks. Uptempo jazzfunk track “Funk-a-dilly Molly” starts with a guitar-drum break and continues as a nice percussion driven dancefloor filler throughout the whole song. “Mean business” is similar groover, with more horns, more funkiness and a little less pace. There’s two different cover versions both released on Nathan Davis‘ own Tomorrow international label and this green cover being the second pressing.


Funk-a-dilly Molly


Mean business

Written by Mista Tibbz, at 18.00, filed under jazzfunk, north america | No Comments »

Jackie Robinson - I’m different

February 19th, 2011

Jackie Robinson - I'm DifferentJACKIE ROBINSON

  • I’m different
  • Ariola
  • 1976
  • Germany

German singer Gitta Walther has many pseudonyms. Gitta MacKay, Jackie Robinson and Simone are just some of the many names she’s used in her long career. She was born in the former East Germany (DDR), but moved to West Germany in the 1960s to start a singing career with a mandatory promise to return to the communist country afterwards. She never returned so she became officially a defector, and was not allowed to return to East Germany until the 1980s. In the end of 1975, She signed with Ariola Records and began recording a solo album with producers Fritz Muschler & Paul Birmingham.

The music of the album was about to mix pop, rock, disco and r’n'b. The first single release was “Moving like a superstar”, a basic funky uptempo disco track with some strings and a disco breakdown in the middle. Since it was an international release, Ariola gave her a new artist name, Jackie Robinson. The single was a big disco hit, it was even in the US Billboard top 10, reaching no. 7 in 1976. The album I’m different was soon released in Spring 1976 and a second single “Pussyfooter” was released. This midtempo funky disco track later became popular among bboys because of it’s catchy break with hypnotic pussyfooter-vocals. It was also included in notorious Ultimate breaks & beats compilations. Songs in this album are mostly disco oriented but the mentioned hints of pop, rock and r’n'b are there also. “Get up Jones” is a mellow laid back disco funk take with a lot of strings that reminds me of the late 1970s blaxploitation movies. “Hey Fernando” is also a midtempo track, but more latin funk oriented disco with some nice percussion work , some electric guitars and even a break in the end. Nice version of the Rolling Stones‘ hit “Sympathy for the devil” starts with an orchestral intro and suddenly turns into an uptempo breakbeat song with a strong rock feel in it. Not too common album but pops up every now and then with a good price.


Get up Jones


Hey Fernando


Sympathy for the devil


Moving like a superstar


Pussyfooter

Written by Mista Tibbz, at 18.00, filed under disco, europe | 1 Comment »

Syrius - Széttört álmok

February 7th, 2011

Syrius - Széttört álmokSYRIUS

  • Széttört álmok
  • Pepita
  • 1976
  • Hungary

Syrius was a hungarian progressive jazz-rock band that was founded in 1962 by tenor saxophonist Baronits Zsolt. Their debut album Devil’s masquerade was released first in Australia in 1971 and a year later in Hungary under a name Az Ördög álarcosbálja. From 1970 to 1973 they were considered to be the most unique prog rock band in Hungary and one of the best from the whole Europe. Their second album Széttört álmok (Broken dreams) was released in 1976 and it was kind of reflecting the bands faith within its name. Only two members were left from the strong first album line-up and instead of the five players in Devil’s masquerade, there was total 15 musicians playing in this second album. It was not considered to be as good as the first one by Baronits Zsolt and he disbanded the band shortly after in 1977.

Despite being considered as a minor disappointment by Zsolt, I think this second album is more funky and grooving than the first album. There’s plenty of breaks and beats in addition to the jazz-rock fusion groove they got. Tracks vary from downtempo funky fusion jams like “Hol az az ember” (Where Is The Man) to ballads and uptempo funk-rock tracks. “A láz” (The Fever) is an uptempo funky fusion song with breaks and slightly disturbing rock guitars made famous by the late break dj Leacy. “Kinyújtom kezem” (I’m streching out my arms) starts with a break ja continues as a nice funky uptempo number with another long break in the middle. Title track “Széttört álmok” (Broken dreams) is a midtempo funk track with a break, guitars and some percussion work. Széttört álmok is one of the best albums that ever came out from the Hungarian national record company Pepita.


Hol az az ember


Széttört álmok


Kinyújtom kezem


A láz

Written by Mista Tibbz, at 18.00, filed under europe, fusion | No Comments »
  Back to Taukojalka.com